It's nearly the end of October and it's been a slightly less full on month than usual, so this post should be short. Should be.
October kicked off with a very exciting health check. These infamous Japanese health checks that every public servant must take every year come in a large variety of shapes and sizes. Some involve stripping off in front of pervy Japanese men, other involve swallowing disgusting liquids and having x-rays taken, some even involve electrodes put all over your body that send an electric current through you. Some can even experience all of these exciting things, like my friend Jen in Ine, but in Maggie, Nishihara-san and my case, all we got the basic “one, two, three now get the hell out” special. They take place in large halls, usually a town hall and they have you move from station to station like a cow going through the slaughterhouse, at each stop someone taking a piece of you off. The first test involved a nice Japanese man with lollies telling me to take off my bra in the back of a bus. OK the lollies part was a lie, but I wish it wasn't. Yup, it was the x-ray. It was over pretty fast so it wasn't as bad as Jen's horror stories. Next, luckily, came the urine test because I had been holding on all morning and was desperate. I had drunk so much water beforehand when I found out the was no western toilets the in hall and I can't go in Japanese toilets unless I'm busting. After you pee in the little paper cup, you then leave the toilet with cup in hand, walk through the hall full of people, cut through the line of other motionless cows and hand it over – with everyone looking on. Luckily all the water I had drunk just made it look like I was holding a cup of water. Next was the blood pressure test where I had to put my arm in large vacuum-like device for ages, while it sucked life out of me. After this came the video game station, or the vision test. Here you look down a microscope and hold a little joystick while watching a circle in the lens that has a chunk taken out of it. In which direction the chunk has been taken out you have to move the joystick in that direction. I'll been playing these sorts of games since I was little so I was pro at it with 20/20 points. I found that the older people weren't very good at it but you can't blame them – they're not electronic natives like we are, although I don't understand Maggie's score. She plays a lot of games but she didn't do very well at this. N00b. Next was a check over by the doctor who was kind of good at English. He didn't do a hell of a lot, just sort of poked and prodded for a couple of seconds while he talked about Adelaide after he heard I was from New Zealand. He soon quietened after I told him the fact that Adelaide is actually in Australia (surprise, surprise!). Finally, came the hearing test which involved listening to sounds in headphones (something else I spend a lot of time doing, so I was pretty pro at that, too).
That afternoon Maggie had spotted tents being put up on her way from the junior high school so she rushed home to tell me “We've got crepes!” In Miyazu we have no crepes. Our hunt for crepes began in Kyoto, but we lucked out there too, it seems Japan, the land flowing with crepes isn't that at all. They're actually a rare specimen that only emerge at festivals. So the appearance of the elusive crepe meant just that – it was festival time! This was the Yawarabi or lantern festival that Miyazu holds every year, that Maggie and I contributed to their marketing piece on Miyazu TV. We headed to the last sighting of the crepes and, lo and behold, there they were in their creamy goodness, so we bought some banana chocolates ones along with some mochi (rice cakes) and butaman (Chinese pork buns). That was dinner sorted. The Yawarabi Festival consisted of the streets of Miyazu being lit up with lanterns made of soda bottles with sand in the bottom and tealight candles placed on the sand. We met Nishihara-san and her two daughters Momoka and Haruka at the preschool which had one of the most impressive lantern displays down a long series of steps.
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It's a long walk to the top, but the lighting's sufficient. |
We moved on and saw Noriko from the drinking party the week before who was at the information desk handing out maps and guiding people and looking bored out of her tree so we stopped by to say hi. She pointed out the places housing lanterns which happened to be all of the temples and shrines the the small area around the junior high school, and I couldn't believe how many there were. The area was less than a kilometre square and yet it had 12 temples and shrines jammed into it. Needless to say you see one, you've seen them all. It was very nice to walk around the grounds as each temple had arranged their lanterns into different patterns and shapes from kanji characters to the shape of Amanohashidate.
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Oh, real mature Priest-san. |
At some temples they invited you in to check out some of the relics and old literature they house in glass cases, and they let me go up close to the golden alters to take photos.
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Gold! |
At some shrines they had live music performances from a local jazz group and a local pop singer who we've heard at every gathering and are getting a bit sick of her one or two songs. We didn't stay too long as Maggie wasn't feeling too flash, so after buying more festival food we headed home. We didn't go to all of the temples and shrines but we did try.
The next afternoon saw the start of the Miyazu Cultural Festival, another annual event, but as I found out when I rocked up to the Opera House, this one was for the oldies. It ran over the Saturday and the Sunday and was a showcase of traditional music and dance from around the area and I felt a little out of place being the youngest person there. The first half of the afternoon was the traditional music portion with kimono-clad women and hakama-clad men playing in ensembles of the shamisen (three string guitar, which I'm starting lessons for next week), shakuhachi (bamboo flute, which I've been taking lessons in for a couple of weeks at Yoro Primary along with the principal) and koto (floor harp).
There was also a few single dancers who did narrative dances as a singer sung the story. I never understood the stories but the costumes were great.
For the second portion of the first day, it was the very showy dance troops and enka singers. The dance troops had come from several different prefectures and some did traditional comedic dances in traditional working kimono and head scarves while some did very modern takes on traditional dance. The enka singers were of course OTT as usual. On TV every week there is usually enka shows where female singers wear gaudy ball-gowns on a stage dripping with lights and tacky imagery and sing traditional Japanese pop music, which involves a lot of accordion music for some reason. There were three enka singers and although they had great voices I still find enka pretty bizarre.
Finally, as evening was falling, the most bizarre group of the day got up on stage, a group of about 18 old women and one man in their long frilly embroidered skirts or black billowy pants and smocked and embroidered shirts. These were the Miyazu Folk Dancers and they did folk dances from England, Sweden, Germany and Russia. Because there was only one man in the group, many of the women had to dress as men to dance with a partner. They did the dances well but for some reason I just found it too bizarre.
Women on the shamisen and the koto. |
There was also a few single dancers who did narrative dances as a singer sung the story. I never understood the stories but the costumes were great.
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A woman playing the part of a man. |
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A family of dancers. |
For the second portion of the first day, it was the very showy dance troops and enka singers. The dance troops had come from several different prefectures and some did traditional comedic dances in traditional working kimono and head scarves while some did very modern takes on traditional dance. The enka singers were of course OTT as usual. On TV every week there is usually enka shows where female singers wear gaudy ball-gowns on a stage dripping with lights and tacky imagery and sing traditional Japanese pop music, which involves a lot of accordion music for some reason. There were three enka singers and although they had great voices I still find enka pretty bizarre.
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The amazing stage drop curtain showing a scene of the lanterns floating around the bay during the Obon festival. This thing was handmade and was HUGE! |
Finally, as evening was falling, the most bizarre group of the day got up on stage, a group of about 18 old women and one man in their long frilly embroidered skirts or black billowy pants and smocked and embroidered shirts. These were the Miyazu Folk Dancers and they did folk dances from England, Sweden, Germany and Russia. Because there was only one man in the group, many of the women had to dress as men to dance with a partner. They did the dances well but for some reason I just found it too bizarre.